All posts filed under: Archive Reviews

Archive Review: Harry Potter and the Deathly Hallows- Part 2

‘It All Ends’ cry the posters for David Yates’ fourth Potter film as director (and the eighth overall), posters which don’t even feature the name of the film, Warner Brothers having clearly presumed that EVERYONE knows what’s coming out. If everyone knows the movie is coming out, why are posters even necessary? Why advertise a film that is such an integral part of modern pop culture’s overall landscape that to not see it would be heinous? Numbers and finance aside, this is a bloody great movie. Yates started off poorly with the ridiculously uneventful and overly political Order of the Phoenix in 2007, scripted by no-one less than Green Lantern scribe Michael Goldenberg. He luckily got back on track in 2009 with Half-Blood Prince, where he managed to balance darkness, emotion, romance and comedy so perfectly that it makes that film a very strong contender for best of the series. Very few people will come out of seeing DH Pt. II for the first, or even second, time and not think it’s the best of the …

Archive Review: Inception

This review was originally published on Lucien, Cameras, Action in July 2010. It is appropriate that this sci-fi thriller from director Christopher Nolan is released so soon after James Cameron’s record-breaking hit Avatar. For everything that was stupid, ugly, undeveloped, incomplete and unenjoyable about that terrible film is brought to such an excellent level in this magnificent achievement in filmmaking, that it proves how awful a director Cameron really is. Inception is undoubtedly the best film made in several years, better even than Nolan’s last masterpiece, The Dark Knight. In this, he piles everything great about all the greatest films ever into one spectacular epic that every single person that watches will want to go back and see several times. I have, so far, watched Inception, three times, just one week after its release, and I would be very happy to return and pay to see it many more times. Nolan doesn’t need Cameron’s gimmicks of 3D and motion-capture to captivate his audience. He’s a storyteller, and they can make an audience gasp, laugh, cry and shout without them …